India: Comparison of Trademarks in question must be done in totality and not in parts

Source: www.delhihighcourt.nic.in

Introduction

Trademark registration guarantees the proprietor certain set of exclusive rights. These exclusive rights not only provide a unique trade identity to the proprietor, but also ensures that nobody else violates these rights, misuses, or copies the trade name or trademark in any manner. In legal terms, violation of the exclusive rights attached to a registered trademark without the authorization or licensees from the proprietor is termed as trademark infringement. To prove trademark infringement in India, the Court considers several factors. Some of these factors are[1]:

• The degree of similarity between the two marks: In this factor usually, the Indian Courts compare the marks in question and take note of the resemblance between the marks in question, phonetic, or visual or similarity in idea. The deciding element of similarity is the mind of consumer having average intelligence.
• Presumption of Confusion: Once a brand enters in the market and establishes itself, it leaves an impression in the minds of the people. The consumers start associating the registered mark to the brand for which it is used. In such a case, when any other entity or individual uses a similar or identical mark in order to confuse the consumer regarding the origin of the good, is when this factor is proved. A deceptive mark can be said to be such a mark, which is likely to cause confusion in the minds of the buyer.
• Reputation of the Registered mark: This factor looks at the level of popularity that the registered mark has achieved within the territory of India.
• Usage with or without authorization: The Court would take note of the fact that the application of the mark was without proper authorization or license from the registered proprietor and the alleged infringer had full knowledge of this fact.
• Comparison of the two marks in totality: The Courts have repeatedly reiterated that, in case of trademark infringement the marks in question would be considered in totality and not in parts. 
• Prior use: Another important and deciding factor would be ‘prior use’ of a trademark. This is a defence in infringement cases. The rights of a prior user of the mark are kept on a higher pedestal than even that of the proprietor of a registered trademark. The Court would consider which party had been using the mark earlier than the other.

The Delhi High Court on February 19, 2018 in the case of Sun Pharma Laboratories Ltd v. Lupin Ltd & Anr, held that, ‘it is a settled legal position that while comparing the trademarks, the marks have to be taken as a whole. Merely because the Defendant was using a part of the mark earlier cannot be a ground to plead trademark infringement’. The Court further clarified that the mark cannot be split and then compared, as is sought to be done in this case.

Facts of the Case

• Sun Pharma Laboratories (hereinafter referred to as ‘the Plaintiff’) is a wholly owned subsidiary of Sun Pharmaceutical Industries Ltd. and in order to strengthen its organizational structure of Domestic Formulation Undertaking, Sun Pharmaceutical Industries Ltd. vide Scheme of Arrangement, spun off its domestic formulation division undertaking including intellectual property thereof to the Plaintiff.
• On May 5, 2013, the Bombay High Court approved the above Scheme of Arrangement, because of which the Plaintiff became the proprietor and owner of all the IP rights of Sun Pharmaceutical Industries Ltd. for the domestic formulation undertaking activities.
• The Plaintiff thus recorded itself as the subsequent proprietor of the trademarks with the Trade Marks Registry.
• One of the medicine, used for treatment of non-insulin diabetic patients, of the Plaintiff is marketed under the trademark TRIVOLIB, which according to Plaintiff, is a coined mark.
• Lupin Ltd. (hereinafter referred to as ‘Defendant No.1’) markets the medicines manufactured by Defendant No.2.
• In the third week of September 2014, it was found by the Plaintiff that the Defendants are marketing its medicine under the mark TRI-VOBIT 1 and TRI-VOBIT 2 (hereinafter referred to as ‘impugned marks’) in Delhi. The composition of the medicine was also alleged to be similar.
• According to the Plaintiff, the impugned marks are phonetically and deceptively similar to the Plaintiff’s registered mark TRIVOLIB. The Plaintiff filed the present suit as the actions of the Defendants constituted infringement, passing off and unfair competition.

Plaintiff’s Contentions

• The Plaintiff contends that the mark TRIVOLIB was coined by it in August 2011 and is used extensively since then. The trademark TRIVOLIB is also registered in Class 5 vide registration dated August 12, 2011.
• It was submitted by the Plaintiffs that from October 1, 2011 till March 3, 2012, it had sold products worth INR 2,86,00,000 (USD 440,440 approx.). From April 1, 2012 to March 31, 2013, the sale figure jumped up to INR 13,39,00,000 (USD 2,062,060 approx.). Further, the sales increased up to INR 24,39,00,000 (USD 3,756,060 approx.).
• It further submitted that the consumers at large distinguish, identify, and associate TRIVOLIB with the Plaintiff. In addition, it pleaded that the mark is a well-known trademark in India.
• It was alleged that the Defendants have adopted the impugned trademarks having seen the success of the Plaintiff’s medicine without any reason.
• It pointed out that the search by the software of the Plaintiff did throw up TRI-VOBIT 1 and hence the objections were filed. Since the software did not throw up the name of TRI-VOBIT 2, the filing of opposition regarding the same was missed. However, it has applied for cancellation of the said trademark to the Trade Marks Registry.

Defendant’s Contentions

• It submitted that no case for trademark infringement is made out, as it is the registered proprietor of the mark TRI-VOBIT 2 in Class 5.
• With respect to the allegation of passing off, the Defendants submitted that the Plaintiffs have failed to establish the acquired goodwill in the mark TRIVOLIB. Therefore, the case of passing off is not made out.
• It stated that it has launched the mark TRIVOLIB in October 2012. Further, it was contended that the Defendant No. 1 is the registered proprietor of the mark VOBIT, which was bona fidely adopted prior to the Plaintiff. The trade mark VOBIT was used for the first time by the Defendants in 2008 whereas the Plaintiff has been using the trade mark TRIVOLIB since August 2011, only the word TRI has been prefixed to the word VOBIT since October 2012.
• The word TRI in the mark signifies a combination of three drugs, which in the present case were Voglibose, Metformin Hydrochloride and Glimepiride
• It pointed out that the Plaintiff themselves stated that they have no objection to the Defendants using the trademark VOBIT or from the Defendant using the prefix TRI. Hence, it was pleaded that the Plaintiff had no right to seek injunction against the combination of TRI and VOBIT.
• It threw light on the fact that the Plaintiff only opposed the trademark application for the trademark TRI-VOBIT 1. They never filed an opposition to application for registration of mark TRI-VOBIT 2. Hence, they contended that the Plaintiff could not now turn around and say that they have rights in the said trademark.

Court’s Decision

• The Court pointed out that when the suit was filed the trademark of the Defendants TRI-VOBIT 2 was not registered. It was registered about 14 days after filing of the suit. It opined that ‘mere moving of an application, for revoking the registration of the trade mark in favor of the Defendant, by the Plaintiff before the Trade Marks Registry would not confer any rights for the present on the Plaintiff.’
• It held that if the essential ingredients of passing off were made out, a suit for passing off would lie against the Defendants, despite registration of the trademark TRI-VOBIT 2.
• The Court agreed that the Plaintiff was a prior user of the trademark TRIVOLIB. It commenced use of the trademark in October 2011. The sales documents placed by the Plaintiff were also took into consideration by the Court. With respect to the Defendant, the Court pointed out that no other details were given, except the commencement of usage of its trademark TRI-VOBIT only in October 2012 and having sold over 15 lakh strips. Therefore, the Court held that the Plaintiff has made out a prima facie case of having built substantial goodwill and reputation in the market. The Plaintiff is a much prior user of the brand TRI VOLIB and has vested rights in the said trademark.
• With regards to ‘Deceptive Similarity’ between the marks, the Court reiterated that the test is to see as to whether the essential features of the trademark of the Plaintiff have been adopted by the Defendants. It held that ‘the trade mark of the Defendants TRI-VOBIT is prima facie phonetically and structurally similar to the trade mark of the Plaintiff TRIVOLIB. Further, the two drugs of the parties are for the same ailment. The likelihood of confusion cannot be ruled out. There is no merit in the contentions of the Defendant to the contrary.’
• The Court also clarified that while comparing the trademarks, the marks have to be taken as a whole. The plea of the Defendant as being the prior user of the mark is completely misplaced. It held that ‘VOBIT has to be compared with TRIVOLIB. When we compare the two words, it is manifest that TRI-VOBIT is structurally and phonetically similar to the trademark of the Plaintiff TRIVOLIB. Merely because the Defendant was using VOBIT earlier cannot be a ground to plead that the words have to be split and then compared as is sought to be done.’

Thus, the Court decreed the suit in favor of the Plaintiff and passed a permanent injunction restraining the Defendants, etc. from dealing in medicinal preparations under the trademark TRI-VOBIT or any other trademark which may be deceptively similar to the Plaintiff’s trade mark TRIVOLIB.

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[1]Please note that the factors are only illustrative. It is not necessary that all the factors are considered while determining similarity of marks. Every case would be measured on its own facts, circumstances and evidences. Where a totality of circumstances indicates trademark infringement it will be enough to get the remedies.

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India: Mere registration of film title with a Guild does not guarantee right over the name, says Madras High Court

Source: www.hcmadras.tn.nic.in

Copyright is a set of exclusive rights given to the author of original literary, musical or dramatic works for its use and distribution. Indian film and entertainment industry is one field that gets most of its protection from Copyrights. In the past few years, there has been a sudden boost in the number of international players in the industry, thereby adding on to the IP controversies over using deceptively similar titles or other ways of unauthorized adoption of titles of films, infringement of copyright. However, only the title of the film simply cannot get copyright. The reason behind this is that copyright law recognizes the principle of de minimis non curat lex (law does concern itself over trifles), according to which any work which is insufficiently significant is not to be offered copyright protection.

The Madras High Court reestablished the same principle in the case of Lyca Productions v J.Manimaran Ors. The Court specifically stated that, ‘mere registration of a film title will not guarantee right over the name, if the production work has not commenced within one-and-a-half years of the registration.’

Facts of the Case 

• J. Manimaran (hereinafter referred to as ‘Respondent No.1’) claimed to be the sole proprietor of M/S  J.S.Screens that is engaged in the production of Tamil feature films.
• Respondent No.1 stated that it had enrolled as a member of the Film & Television Producers Guild of South India (hereinafter referred to as ‘Respondent No.3’), bearing registration number 9880.
• On September 3, 2011, Respondent No. 1 claimed to have applied for registration of his film titled “KARU” with the Respondent No.3.
• It was further stated that the registration was approved on September 28, 2011 and Respondent No.1 was given Guild Registration No.16530.
• Further, Respondent No. 1 claimed that it is also a member of Tamil Film Producer Council (hereinafter referred to as Respondent No. 2), a society comprising of film producers.
• According to Respondent No. 1, Respondent No. 2 and 3 coordinates and ensures that there is no duplication of registration of film titles. Once a title is registered, none can use it even as prefix or suffix with other words.
• Respondent No. 1 came across hoardings and advertisements in dailies, like ‘Daily Thanthi’, of a film with the same title “KARU”, which is directed by Vijay and produced by Lyca Productions (hereinafter referred to as ‘the Appellant’).
• A suit was thus filed at the Madras High Court claiming relief that Respondent No. 1 is the registered titleholder of the Tamil feature film titled “Karu” and its rights, title, copyright and nomenclature solely and exclusively belongs to the him and to grant permanent injunction against the Appellant.
• The Single Judge Bench of Madras High Court passed an order dated February 2, 2018, in favor of Respondent No. 1. Thus, aggrieved by the order, the Appellant filed the present appeal.

Appellants Contentions 

• The Appellant contended that the film produced is registered as "LYCAVIN KARU" and Censor certificate has also been obtained under the previously mentioned name. Therefore, the title of both the films are different.
•  The Appellant submitted that the content and theme of the film is also different from the one produced by the Respondent No. 1, as the film produced by the Respondent No.1 is a thriller, and the film produced by the Appellant is based on a ghost story.

Respondents Contentions 

• Respondent no 1 argued that it had become an established practice in the Cinema industry for producers to become members of organizations and get the titles of films registered and once a title was registered, no other producer could make a film under a title that had been registered or title similar thereto. The titles which were registered could not even be used with a suffix or prefix.
• Respondent No. 1 claimed that being a member of Respondent No. 3, it is entitled to all protection and privileges as available to the members of the Respondent No. 3.
• Respondent No.1 pleaded that at the time when the registration took place there was no other film with the title “KARU” registered with the Respondent No. 3.
• It was submitted by Respondent No. 1 that the production of the film title “KARU” started immediately after its registration with Respondent No. 3. It claimed making huge investments for its previously mentioned film monetarily as also by way of labor, publicity, etc. However, the film is not yet completed.
• It was contended that the Appellant has reportedly registered the film title “KARU” in 2017, 6 years after the registration of the title by Respondent No.1. This adoption of title by the Appellant was alleged to be unfair in view of the earlier registration to Respondent No.1 in 2011.
• It further claimed that the release of the film "KARU" by the Appellant would put it to loss and prejudice, which cannot be compensated in terms of money.

Court’s Decision 

• Analyzing Sections 13 and 16 of the Copyright Act, 1957, the Court observed that Copyright Act protects work that is the work, which is relatable to a cinematograph film, that is to say, the visual recording, including sound recording, produced by process analogous to cinematography. The title, which may be a commonly used word, cannot be protected under the law of copyright. Section 13 makes it clear that there is no copyright in a title, it is the entire work which is protected by copyright.
• Quoting the judgement of the Hon’ble Supreme Court in the case of Krishika Lulla and others v. Shyam Vithalrao Devkatta and another reaffirmed that a title is not an original literary work. A title does not qualify for being described as work. It is incomplete in itself and refers to the work that follows.
• The Court also observed that Respondent No.3 is not a registered Copyright Society under Section 33 of the Copyright Act, 1957, and thus incompetent to administer any right in any work including cinematograph films.
• Quoting the judgement of Madras High Court in the case of R.Radhakrishnan v. A.R.Murugadoss and the Film and Television Producers Guild of South India held that American Courts have taken uniform view that title alone of a literary work cannot be protected by Copyright Law. Copying of a title alone, and not the plot, characterization, dialogue, song etc. is not the subject of Copyright Law. Thus, a copyright on a literary work would not include exclusive right to use the title on any other work. What, therefore, follows is that if a junior user uses the senior user's literary title as the title of a work that by itself does not infringe the copyright of a senior user's work since there is no copyright infringement merely from the identity or similarity of the titles alone. Same is the position under Copyright Law in India.

• The Court pointed the errors of the Single Judge Bench on two grounds. These are:
1. The Learned Single Bench erred in holding that the judgment of R. Radha Krishnan v. A.R.Murugadoss, was distinguishable on facts. The Court observed that the Learned Single Bench should have appreciated minor differences like one film being a short film and the other film being a feature film.
2. The Learned Single Judge failed to indicate the reasons for its view that the distinguishing features noted in the judgment under appeal render the judgments cited on behalf of the Appellant, holding that there was no copyright in a title, inapplicable.

·   The Court further observed that there are no materials on record, which conclusively establish the existence of a practice in the industry for registration of titles or desisting from using titles registered by others. In addition, it was obvious through the facts and circumstances of the case that it was not mandatory for producers to become members of the Respondent No. 2 or 3. Membership of either society was optional and there were many producers who were not members of either of the Respondents.

Therefore, the Court held that sympathy for a weaker party to a litigation could not outweigh the law pronounced by the Court. Furthermore, the learned Single Bench ignored the fact that the Appellant had also made substantial investments for its film, which had been completed and was due to be released on February 23, 2018. The learned Single Bench, in the Court’s view, erred in law in giving undue importance to the size of depiction of LYCAVIN before KARU since the suit was not one for passing off. Thus, the interim order of the Learned Single Bench was set aside and appeal was allowed.

India: Delhi High Court says BOOKMYSHOW Trademark has not Acquired Distinctiveness

Source: www.delhihighcourt.nic.in

The Delhi High Court on 13^th December 2017 in the case of Bigtree Entertainment Pvt Ltd V. Brain Seed Sportainment Pvt Ltd & Anr. while examining on the issue of acquired distinctiveness decided that ‘BOOKMYSHOW’ has not acquired any distinctiveness.

Brief Background

• The Plaintiff in the case ‘Bigtree Entertainment Pvt. Ltd’ is a company established in 1999. It provides ticketing solutions through its website “www.bookmyshow.com” and mobile app BOOKMYSHOW.
• The Defendant in the case ‘Brain Seed Sportainment Pvt Ltd’ is a corporate entity established on May 15, 2017. It provides for booking sports facilities through an online platform www.bookmysports.co.
• The Plaintiff has secured several trademarks under Classes 41 and 42 for BOOKMYSHOW word marks and logos, notwithstanding filing applications for numerous other BOOKMYSHOW and BOOKMY trademarks as well.
• The Plaintiff in December 2015, through one of its employees came to know about the Defendant. A media article on the Internet detailing the Defendant’s launch was found.
• The Plaintiff claimed that the Defendant’s trademark “Book My Sports” was deceptively similar to the Plaintiff’s trademark and could mislead prospective clients into associating the Defendant’s domain with that of the Plaintiff’s.
• Thus, Plaintiff filed an infringement and passing off suit before the Delhi High Court (hereinafter referred to as ‘the Court’) seeking permanent injunction against the Defendant, its partners, proprietors, or as the case may be, assignees in business franchise licensees, distributors, dealers and agents from in any manner using the mark “BOOKMYSPORTS”, or using the prefix “BOOKMY”.

Issue

• Whether the Defendant infringed or committed an act of passing off by using the prefix ‘BOOKMY’?
• Whether the prefix ‘BOOKMY’ is a descriptive phrase or an invented term?

Plaintiff’s Arguments

• It stated that it has developed itself to be a prominent player in the market since the launch of its website in 2007.
• It stated that it is the official ticketing partner for major sports events and cinema houses and has a substantial presence in the Indian and International market.
• It claimed that it is the registered proprietor of the word marks and logos BOOKMYSHOW in Classes 41 and 42 and has filed applications for numerous other BOOKMYSHOW and BOOKMY trademarks as well.
• It submitted that the BOOKMYSHOW trademark has acquired a secondary meaning being associated with the Plaintiff owing to its performance in the ticketing industry and wide publicity.
• It further claimed that the prefix BOOKMY has also acquired a distinctiveness over a period of time and is exclusively associated with the Plaintiff. In addition, the prefix forms an essential part of its registered trademark. 
• It submitted that the domain name www.bookmysports.co., of the Defendant, remained parked from March 6, 2010 to May 15, 2015 on the World Wide Web with no activity.
• It argued that the Defendant’s trademark is deceptively similar to the Plaintiff’s and can mislead prospective clients into associating the Defendant’s domain with the Plaintiff’s due to the substantial goodwill and publicity acquired by Plaintiff.
• It acknowledged that it does not possess trademark on the prefix BOOKMY but averred that it is not the words BOOK, MY, and SHOW in isolation, but the interplay of these words which give the trademark distinctiveness.

Defendant’s Arguments

• It stated that the Plaintiff has specifically, but falsely pleaded to be the exclusive user and adopter of the mark BOOKMY and BOOKMYSHOW. In addition, the Plaintiff has also concealed third party use and registrations, oppositions and rectifications filed against its trademark ‘BOOKMY’ and ‘BOOKMYSHOW’ and has misrepresented qua cause of action.
• It also stated that the Plaintiff has admitted in a letter to the Registrar of Trademarks that Defendant’s trademark BOOKMYSPORTS is dissimilar and distinct from Plaintiff’s trademark BOOKMYSHOW.
• It claimed that its domain of activity being booking sports facilities is squarely different from that of the Plaintiff’s except insofar as they are both engaged in facilitating online bookings.
• It further claimed that the prefix BOOKMY is not an invented phrase meriting legal protection, but a descriptive one that is common to the particular business being run. In support of this, details of several domain names using the prefix “BOOKMY” was placed on record. Therefore, the alleged claim of the Plaintiff that its use of the prefix conveys distinctiveness toward the Plaintiff’s brand is defeated.
• It is submitted that its trademark is visually, structurally, and conceptually different from the Plaintiff’s and is not likely to cause deception or confusion.

Court’s Analysis

• The Court observed that the Plaintiff owns a trademark for its domain name, www.bookmyshow.com.       
• To decide on the question of a phrase being descriptive or invented the court examined the judgment given by Honorable Supreme Court in the case of J.R. Kapoor v. Micronix India[1] wherein it was held that ‘a word which is descriptive of the industry or market in which the concerned party operates cannot be deemed to be invented’ and F. Hoffmann-La Roche and Co. Ltd. v. Geoffrey Manners and Co. Private Ltd[2] wherein the Supreme Court applied the principle of using the characteristics of the market in which a party operates as a test to determine descriptiveness or inventiveness.
• Referring to P.P. Jewellers Pvt. Ltd v. P.P. Buildwell Pvt. Ltd[3]. it held that ‘existence of other companies bearing the prefix in question in itself may suggest that the word is descriptive rather than distinctive.’
• The Court took note of the fact that there are several pages of domain names beginning with "BOOKMY", that have existed both before and subsequent to the Plaintiff's website. Therefore, it held that the prefix is a descriptive one.

The Court held that the Plaintiff’s trademark “BOOKMYSHOW” has not acquired a distinctive meaning and that the words ‘BOOKMY’ is descriptive in nature and declined to grant the injunctive relief to BookMyShow.

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[1] 1994 Supp (3) SCC 215

[2] (1969) 2 SCC 716

[3] (2010) ILR 2 Del 165

India: Enforceability of Foreign Country Registered / Unregistered Copyright

The term ‘foreign work’ is not defined under the Copyright Act, 1957, (hereinafter referred to as the ‘Act’). However, to determine “foreign work”, it can be reasoned that any work which does not qualify as “Indian Work” under Section 2 (l) of the Act is classified as “foreign work”. In order to protect Indian works in foreign countries, India has become a member of the following international conventions on copyright and neighboring (related) rights:[1]

1. Berne Convention for the Protection of Literary and Artistic works
2. Universal Copyright Convention
3. Convention for the Protection of Producers of Phonograms against Unauthorized Duplication of their Phonograms
4. Multilateral Convention for the Avoidance of Double Taxation of Copyright Royalties
5. Trade Related Aspects of Intellectual Property Rights (TRIPS) Agreement.

The aim of all the copyright conventions / agreements / treaty is focused on the principle that the original creativity or works of the mind, which is the subject matter of protection under copyright law, should be disseminated and distributed regardless of their national borders.[2] Therefore, the simple principles on which the major Copyright Conventions are based are:[3]

1. Principle of National Treatment - Works originating in one of the Contracting States (that is, works the author of which is a national of such a State or works first published in such a State) must be given the same protection in each of the other Contracting States as the latter grants to the works of its own nationals.
2. Principle of “Automatic” Protection - This means that such national treatment shall not be depending on any formality, i.e. Protection must not be conditional upon compliance with any formality.
3. Principle of “Independence” of Protection - This means that the enjoyment and exercise of the rights in a protected work in a certain country is independent of the existence or non-existence of protection in the country of origin or in any other country.

The International Copyright Order, 1999, was formulated to provide the authors / owners of the foreign copyright works to enforce protections beyond the national limits. The above said principles are the basic foundations of the International Copyright Order 1999.

Under the Indian Legislation, copyright of works of the countries mentioned in the International Copyright Order are protected in India, as if such works are Indian works.[4]  The benefits granted to foreign works will not extend beyond what is available to the works in the home country and that to only on a reciprocal basis, i.e., to say the foreign country must grant similar protection to works entitled to copyright under the Act.[5]

In the matter regarding Registration of Copyright Application Titled “In Grief then in Joy, We Wed”, wherein on scrutiny of the application with Diary Number 11596/2015-CO/L, it was found that the work submitted for registration under the Copyright Act 1957, was already registered in United States of America, and hence a discrepancy was raised. The Learned Registrar of Copyrights, vide order dated  January 16, 2018, observed that “In accordance to the provisions of Section 40 of the Copyright Act, 1957, read with International Copyright Order 1999 states that the copyright of nationals of countries who are members of the Berne Convention for the Protection of Literary and Artistic Works are protected in India. A list of such countries are made available in the Part 1 of the Schedule mentioned under the International Copyright Order 1999.” Further, the Learned Registrar of Copyrights also agreed that the Applicant, if they wish so, may also seek registration of their works in India by complying with the requirements of the Copyright Act 1957 and Copyright Rules 2013.

Since the foreign works, as under the International Copyright Order 1999, are protected under the Copyright Act 1957, and therefore the provisions with respect to enforcing the rights under the Copyright Act is also available to the foreign copyrights holders. Paragraph 3 of the International Copyright Order 1999, extends the protection under the Copyright Act 1957 to the foreign works and therefore, both civil and criminal remedies for infringement under Chapter XII and Chapter XIII are available to the foreign works. The Copyright Act of India provides dual legal machinery to the right holders for enforcing their rights. The enforcement is possible through -

1. The Intellectual Property Appellate Board and
2. The Courts.

The Copyright Act, 1957, initially established a quasi-judicial body called the Copyright Board, which is now merged with Intellectual Property Appellate Board (hereinafter referred to as the ‘Appellate Board’) pursuant to Finance Act 2017, with effect from April 01, 2017. The Appellate Board is assigned with the task of adjudication of disputes relating to copyright registration,[6] assignment of copyright,[7] grant of licenses in respect of works withheld from public,[8] unpublished Indian works,[9] production and publication of translations,[10] and works for certain specified purposes.[11] Further, it also hears cases in other miscellaneous matter instituted before it under the Copyright Act, 1957.

Similarly, as per Section 62 of the Copyright Act 1957, the District Courts have jurisdiction in the matters pertaining to the infringement of Copyright in any work or the infringement of any other right conferred by the Copyright Act. However, an appeal against the order of the IPAB can be preferred before the Hon’ble High Court having the jurisdiction.

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[1] Government of India - Ministry of Human Resource Development (Department of Secondary Education and Higher Education), A Hand Book Of Copyright Law, available at http://copyright.gov.in/documents/handbook.html.

[2] WIPO National Workshop For Judges, International Legal Framework For The Protection Of Copyright And Related Rights (December 13 to 15, 2004), WIPO/IP/JU/RYD/04/1, Pg 4.

[3] WIPO National Workshop For Judges, International Legal Framework For The Protection Of Copyright And Related Rights (December 13 to 15, 2004), WIPO/IP/JU/RYD/04/1, Pg 5; WIPO, Summary of the Berne Convention for the Protection of Literary and Artistic Works (1886), available at http://www.wipo.int/treaties/en/ip/berne/summary_berne.html. 

[4] Government of India - Ministry of Human Resource Development (Department of Secondary Education and Higher Education), A Hand Book Of Copyright Law, available at http://copyright.gov.in/documents/handbook.html.

[5] P. Narayanan, Intellectual Property Law, 4^th ed., p.201 (2004).

[6] Section 6, The Copyright Act. 1957 (Act 14 of 1957).

[7] Section 19A, The Copyright Act. 1957 (Act 14 of 1957).

[8] Section 31, The Copyright Act. 1957 (Act 14 of 1957).

[9] Section 31A, The Copyright Act. 1957 (Act 14 of 1957).

[10] Section 32, The Copyright Act. 1957 (Act 14 of 1957).

[11] Section 32A, The Copyright Act. 1957 (Act 14 of 1957).

India: 'Be U' Bengaluru Becomes India's First City to Have Its Own Logo

Source: yourstory.com

A city’s logo is a culmination of its identity, aspirations and everything that it represents. A logo, thereby, becomes a beacon via which tourists, travelers, and even citizens identify the city of their choice. However, such creative representation becomes and is the property of the city that creates it and thus becomes responsible to ensure the protection of such creativity and eventually, intellectual property. Hence, it becomes essential for the city’s authorities to ensure that they can exercise the right to use a representation of their home without it being misused by third party infringers. However, out of all cities in the world that do boast of logos, a fraction have sought to protect themselves by registering it!

Above: City Logos filed as trademarks/ protected from around the world

However, in most developing countries where, due to the proximity of manufacturing industries, there is an abundance of counterfeit markets, it is an absolute necessity to register trademarks in order to ensure that merchandising revenues find their way to the right coffers. Japan is a good example of the same, having filed and received a registration for its city logo in anticipation of the 2020 Olympics. Events of such magnitude cause a resurgence of counterfeit merchandize, as has been discussed with a case study below. As of 2017, the city of Bengaluru has joined the ranks of other well-known tourist destinations such as Singapore, London, and New York City and became the first Indian city to boast of a logo of its own. It was unveiled at the Nammo Bengaluru Habbo festival by Karnataka Tourism Minister Priyank Kharge. The logo in question is one that has been crowd sourced from over 1350 entries and reads “Be U,” which is a mix of typography in English and Kannada. The logo was designed by Nammur, a design start-up that won a contest and received a prize money of INR 5 lakhs. The idea of the logo is that it is meant to be easily pronounced, associated with everyone and be a representation of the kind of self-expression and acceptance that is associated with the city.

Coming with an option of colors (green, yellow and red), the logo is intended to further tourism and be replicated on all types of merchandise. The theory here is that a design that comes from the people is representative of the spirit of the city and thus putting it on souvenirs and merchandise that can be bought is a reminder of the city to everyone who visits it. The entire philosophy behind creation and city logos is centered around the creation of a brand that represents the city, its people and the values it stands for (Amsterdam’s I AM logo which was revamped as a reminder of the city’s culturally inclusive philosophies). Not only is this likely to boost the morale of the city, but will also create an industry around the licensing and manufacturing of t-shirts, mugs, and other city-specific memorabilia.

However, as are with all creations, all ideas instituted to bolster economies require protection from those who seek to benefit from their unauthorized usage. The creation of a distinctive logo and exclusive merchandise for the city also comes with a window of opportunity for counterfeit markets to take root and exploit the intellectual property of the city. Thereby, a Trademark of the logo accompanied by acquisition of the consequent merchandising rights is a must if one aims to boost the city and state’s tourism.

Registration of the trademark as exclusive property of the city is a given necessity. However, merchandising while using such registrations is an equally essential avenue that needs to be explored. Aside from being an effective tool to guard IP, it is also an invaluable marketing tool as it gives the merchandised goods’ owners the distinct feeling of belonging and ownership that the city aims to inspire. Similarly, it can also be licensed out to third party manufacturers for mass production of merchandise. Due to the novelty of city brand logos, the practice neither of its creation nor its IPR protection has been seen before. However, reference can be drawn from the Citywide Merchandise Licensing Program carried out by NYC & Company, which provides licensing rights for the City and its agencies. While allowing each of the individual agency the discretion of issuing its licensing rights to third parties, it ensured registration and crackdown of counterfeits across the city, leading to almost 600 cease and desist orders to vendors. This was all in response to an increasing culture of counterfeit goods that had been produced featuring the City’s agencies, specifically the New York City Police Department (NYPD) and the Fire Department of the City of New York (FDNY), due to their inconsistent licensing policies and lack of action against counterfeiters.

Here is a list of certain city departments, which are registered as trademarks with United States Patent and Trademark Office (USPTO)

However, in the same spectrum the government cannot endeavor or be allowed to gain the rights over every aspect of the city – especially a city that belongs to its people first. In a case where the Port Authority of New York and New Jersey (PA) took the souvenir shop Fishs Eddy to court for their representation of the New York Skyline and other signature landmarks of the city on their dinnerware, stating it “interferes with the Port Authority’s control of its own reputation” and may create an association with the 9/11 attacks. The authority dropped the matter a little while after, possibly understanding that legal action would have to be taken against the thousands of souvenir shops selling similar merchandise for their actions to prove successful.

Bangladesh: DPDT imposes 15% VAT over Govt. Fees on all IP Matters

Source: www.dpdt.gov.bd

The Department of Patents, Designs and Trademarks, Bangladesh  (hereinafter referred to as “DPDT, Bangladesh”) vide an official notification dated March 12, 2018, has imposed 15% Value Added Tax (hereinafter referred to as “VAT”) under local VAT Rules (Rule 18(e) of Value Added Tax Rules, 1991) over Government Fees i.e. official fees, on all Intellectual Property matters in Bangladesh. 

DPDT, Bangladesh vide such order has imposed 15% VAT on the total amount of money received from beneficiary for proceedings relating to the registration/renewal of Patents, Designs and Trademarks in Bangladesh. The Official Notification of the DPDT can be accessed over here.

In Bangladesh, protection of industrial property comes under the purview of Ministry of Industries. On behalf of the Ministry of Industries the DPDT administers all the activities relating to industrial property.