Introduction
The Copyright Amendment Act was introduced
in 2012 with the primary objective of establishing a just framework for the
administration of copyright and sharing revenue to protect ownership rights over
copyrights. One of the most important change brought in by this amendment was
through S.31D, which provided that any broadcasting organization which wants to
broadcast a literary, musical or sound recording already published may do so
subject to various conditions mentioned in the section. The provision also
provided the Appellate Board with the power to determine the royalty rates in
cases of radio broadcasting, and also provided differential royalty rates for
radio and television broadcasting and required the broadcaster to broadcast the
work without any substantial alteration, giving credits to the original author
of the work. The scope of the section was further expanded through a DIPP
memorandum dated December 2016 by which online broadcasting too was brought
under the scope of this section.
Controversy surrounding the section
This section has been heavily criticized,
and has been a matter of constitutional challenge on various grounds such as
- Not allowing commercial negotiations to determine royalty rates favors broadcasters at the expense of the copyright owners
- The copyright owners are not given the authority to negotiate terms of royalties with the broadcasters
- The provision is violative of Art. 19 (1) (g) of the Constitution as it provides the Appellate Board the power to fix rates for radio broadcasting. This is not a reasonable restriction.
The first challenge to the provision came
in the matter of South Indian Music
Companies v. UoI,[1]
where an association of music companies laid a challenge to Sections 11, 12, 31
and 31D of the Copyright Act, where the Madras High Court, commenting on the
constitutionality of Sections 31D upheld the validity, stating that it ‘protects public interest through private
interest’. The High Court further said that the amendment is in line with
India’s international obligations under the Berne Convention and the TRIPS
Agreement.
While compulsory
licensing under S.31D has been upheld, restrictions on royalty rates when
expanded to online broadcasting would have far reaching effects, especially at
this age of online streaming services. As no constitutional challenge has been
raised as of yet, the area still remains a lacuna in Copyright law.
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